In the 22-year history of the Best Animated Feature category, there have been nine hybrid qualifications: “Osmosis Jones,” “Stuart Little 2,” “Looney Tunes: Back in Action,” “The SpongeBob SquarePants Movie,” “Alvin and the Chipmunks,” “Alvin and the Chipmunks: The Squeakquel,” “Alvin and the Chipmunks: Chipwrecked,” “The Smurfs 2,” and “The SpongeBob Movie: Sponge Out of Water.” None of those films ultimately received a nomination. If there is any further doubt about the film’s eligibility in the category, an Academy subcommittee will further analyze the animated contents of ‘Marcel’ to determine whether or not they pass the 75 percent and major characters thresholds.
If necessary, A24 and Camp can make their case with supporting materials and documentation to the executive committee of the Animation branch. So any potential qualification for “Marcel” will depend on how the rules are applied. Camp and Stahl appear briefly onscreen, and a large group of stop-motion characters are introduced for a few scenes at the end of the film. “Marcel” only has two major characters, both animated: the titular shell and his grandmother. So it’s incredibly meticulous.”Īccording to one member of the Academy’s Animation branch who spoke to IndieWire, the “significant number of the major characters animated” stipulation comes from the desire for nominated films to have main casts of animated characters who appear in most of the films’ shots. “If any tiny detail is off, the animation won’t mesh very well with the live-action plate you shot.
“Stop-motion/live-action hybrids have been around since the earliest days of cinema… but there are so few features made this way, partly because of how complex it is,” Camp said in the film’s production notes. The shoot in a real house was done by cinematographer Bianca Cline, while the stop-motion crew was overseen by animation director Kirsten Lepore, and shot by Eric Adkins, who recreated the lighting of the live-action scenes. “Marcel” was shot twice with live-action and stop-motion crews, and then seamlessly integrated the miniature world of its animated star into the real world in every scene. In addition, a narrative animated film must have a significant number of the major characters animated.” “Marcel the Shell with Shoes On” A24 The Academy is very specific about the rules for animation, particularly when it comes to evaluating hybrids, of which “Marcel” would be the first submission to incorporate stop-motion: Academy rules say, “In an animated film, animation must figure in no less than 75 percent of the picture’s running time. While A24 and Camp believe that “Marcel” is eligible to compete for Best Animated Feature at the Oscars - and plan on submitting it for Oscar consideration to the executive committee of the Short Films & Feature Animation branch - it’s not so simple. Richard Dreyfuss Criticizes Oscar Diversity Requirements, Defends Blackface in Laurence Olivier’s ‘Othello’ Marcel, who’s in search of his lost family, even winds up on “60 Minutes” with Lesley Stahl as a result of his soaring stardom. The one-inch anthropomorphic shell (voiced by Slate) lives with his grandmother Connie (Isabella Rossellini) and develops a friendship with doc filmmaker Dean (Camp), who moves in and films Marcel’s daily activities, which go viral.
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A24’s acclaimed stop-motion/live-action hybrid “ Marcel the Shell with Shoes On” could be the wild card in the animated feature Oscar race - going up against such early favorites as Pixar’s “Turning Red,” Disney’s “Strange World,” and Netflix’s two stop-motion behemoths: “Guillermo del Toro’s Pinocchio” and Henry Selick’s “Wendell & Wild” (the latter being the lone animated feature premiering at TIFF).Īnd why not? The feature debut from director Dean Fleischer Camp (adapting a series of shorts he created with “Marcel” star Jenny Slate), has been embraced by critics for its charm, wit, inventive stop-motion, and its adorable breakout star.
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